NFL Commissioner Roger Goodell has announced new guidelines for how the league will handle incidents of domestic violence and sexual assault. The change in policy, explained an open letter to team owners, come a month after the NFL was criticized for how it handled player Ray Rice's arrest on domestic violence charges.
In my teens, I stumbled onto the wide trail of "the writer's bildungsroman," the coming-of-age stories that often gave me too much to identify with. That whispered clear messages while I slept and while I tried to imagine a life far, far outside the heat and farmlands of where I grew up.
The protests that followed the shooting death this month of Michael Brown in Ferguson, Mo., have rekindled long-standing complaints about racist policing, especially in the St Louis area.
Many male African-American residents there say police scrutinize them unfairly. "Every time you see a cop, it's like, 'OK, am I going to get messed with?' " says Anthony Ross. "You feel that every single time you get behind your car. Every time."
Now, police officers in and around St. Louis are becoming more vocal about defending themselves against the charges of bias.
Originally published on Thu August 28, 2014 6:02 pm
President Obama says the U.S. doesn't "have a strategy yet" on how to deal with Islamic State militants who now control vast swaths of territory across Iraq and Syria, but he added that the militant group was continuing to lose arms and equipment because of targeted U.S. strikes against its members in Iraq.
"I don't want to put the cart before the horse," Obama said at a White House news conference Thursday. "We don't have a strategy yet."
The most interesting but remarkably understated aspect of The Congress, a half-live-action, half-animated trip of a film from Israeli director Ari Folman, is the increasing power accrued by the fake movie studio in its story, Miramount. When the film opens, Miramount is but a moviemaking venture, as you'd expect; by the end, it's the dominant power structure behind a futuristic dystopian society.
At first blush, the Hungarian film The Notebook (no relation, trust me, to that other Notebook) seems to be gearing up as a standard World War II weepie with clumsy plotting. It's 1944; the war is almost done; a father returns home on leave; brief scenes of domestic bliss follow. Then, out of the blue, Dad (Ulrich Matthes), seemingly worried that his twin sons would be "too conspicuous in wartime," packs them off to live with their grandmother in the countryside. Handing them a notebook, he tells them to record everything that happens to them.
Within moments of arriving at an adult prison — "starred up" from a juvenile facility that couldn't handle him — Eric (Jack O'Connell) demonstrates how to use jail-issue toiletries to make a weapon. But it's not that toothbrush shiv that makes the 19-year-old deadly. It's his ferocious unpredictability, a quality mirrored by this edgy, naturalistic drama.
When it comes to original TV series, it's tough to understand exactly where Amazon is going.
At first, their strategy seemed simple: They went where big-ticket competitors like Netflix and HBO didn't, greenlighting comedies like Garry Trudeau's political satire Alpha House and the Silicon Valley series Betas, along with a raft of kids' shows.