Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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Movies
10:58 am
Thu July 24, 2014

How To Name Your Sequel II: Not Just Roman Numerals Anymore

If you want to move beyond just numbers for your sequel titles, critic Bob Mondello says there are a few informal rules you need to follow.

Originally published on Thu July 24, 2014 12:10 pm

Remember when movie companies just put Roman numerals at the end of titles when they made sequels? Rocky II, Rocky III, Rocky IV. Well, not anymore.

This summer, we've had X-Men: Days of Future Past, with no mention that it's either the sixth or seventh X-Men movie, depending on how you're counting. Also 22 Jump Street, the across-the-street follow-up to 21 Jump Street. And Begin Again (which ought to be a sequel, but isn't).

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Book Your Trip
3:28 pm
Mon July 21, 2014

By Trolley, Train, Show Boat Or Surrey, These Musicals Will Move You

Barbra Streisand does a lot of singing on transit β€” over the course of Funny Girl, Funny Lady, Yentl and Hello Dolly (above) she sings aboard a train, a plane, a taxi a tugboat, and an ocean liner.
20th Century Fox/Chenault/The Kobal Collection

Originally published on Tue July 22, 2014 9:06 am

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Movie Reviews
1:54 pm
Fri July 11, 2014

Oh, 'Boyhood!' Linklater's Cinematic Stunt Pays Off

Eller Coltrane β€” pictured here with screen family Ethan Hawke and Lorelei Linklater β€” grows from boy to man on-screen in Richard Linklater's new Boyhood.
IFC Productions

Originally published on Fri July 11, 2014 7:21 pm

Filmmaker Richard Linklater breezed through plenty of genres in his career, establishing that he's comfortable making loose comedies like Slacker, animated sci-fi thrillers like A Scanner Darkly, and even messing with longer-form studies in time with his Before trilogy, Before Sunset, Before Sunrise and Before Midnight.

Still, it's safe to say that he's never done anything even remotely like Boyhood, his latest film, because neither has anyone else.

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Movie Reviews
4:14 pm
Wed July 2, 2014

Sci-Fi Kid Flick 'Earth To Echo' Broadens The 'E.T.' Formula

In Earth to Echo, Brian "Astro" Bradley, Ella Wahlestedt, Reese Hartwig and Teo Halm play a group of kids whose neighborhood is being destroyed by a highway construction project, forcing their families to move.
Patrick Wymore Relativity Media

Originally published on Wed July 2, 2014 6:20 pm

Movie theaters were swarming with Transformers this past weekend, and that'll also be true over the July 4 weekend. So this may not seem to be the best moment to bring out a sci-fi flick made on a budget that wouldn't cover catering for Optimus Prime. But "small" has its virtues sometimes, and the kid flick Earth to Echo is one of those times.

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Movie Reviews
3:08 pm
Fri June 20, 2014

A Leap Too Far? 'Venus' And 'Jersey Boys' Bounce From Stage To Screen

Mathieu Amalric as a Roman Polanski look-alike and Emmanuelle Seigner β€” the director's real-life wife β€” play psychosexual mind games in Venus in Fur.
Mars Distribution

Originally published on Mon June 23, 2014 7:07 pm

An intellectual play about sadomasochism, a musical about a '60s pop group, and a pair of famously cinematic directors. There's always going to be a bit of a leap when a play moves from stage to screen β€” but Roman Polanski's Venus in Fur and Clint Eastwood's Jersey Boys leap a little further than usual.

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Movie Reviews
1:18 pm
Fri June 13, 2014

It's A Summer Sequel Spectacular With 'Dragon' And 'Jump Street'

Jonah Hill and Channing Tatum age out of high school in a Jump Street sequel that doesn't mess with its successful formula.
Sony Pictures

Originally published on Fri June 13, 2014 5:23 pm

In a summer of sequels β€” 16 in all β€” this weekend is the sequelliest, offering blockbuster deja-vu (How To Train Your Dragon 2 AND 22 Jump Street) as well as a few object lessons in how to train your audience. One film goes all meta with its concept, the other goes back to basics, and for a change, both approaches work.

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Movie Reviews
1:48 pm
Fri June 6, 2014

Mike Myers Steps Behind The Camera With 'Supermensch'

In Supermensch, talent agent Shep Gordon recalls arriving in Los Angeles in 1968, dropping acid and getting slugged by a woman who later identified herself as Janis Joplin.
Dogwoof Films

Originally published on Fri June 6, 2014 6:55 pm

When you've played Austin Powers, Shrek, The Cat in the Hat and the title dweeb in Wayne's World, what do you do for an encore? If you're comedian Mike Myers, the next logical step, evidently, is to direct a documentary about your agent. And damned if it doesn't turn out to be a decent career move β€” as smart, and sometimes even as funny, as anything Myers has done recently.

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Movie Reviews
4:05 pm
Fri May 30, 2014

James McAvoy As A Creep? In 'Filth,' The Anti-Typecasting Works

Filth is based on a novel by Irvine Welsh β€” who also wrote the profane, drug-fueled epic Trainspotting. James McAvoy plays Detective Sergeant Bruce Robertson β€” a bigoted junkie cop β€” with enough foul-mouthed sleaze to be thoroughly off-putting.
Neil Davidson Magnolia Pictures

Originally published on Sat May 31, 2014 5:34 am

Bruce Robertson (James McAvoy) swaggers down the street at the start of Filth swiping balloons from children, ogling their mothers, flipping off foreigners and smirking as he ticks down a list of what makes Scotland a place where he feels he can be cock-of-the-walk.

"This nation brought the world television, the steam engine, golf, whiskey, penicillin and, of course, the deep-fried Mars bar," he snorts. "We're such a uniquely successful race."

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Movie Reviews
4:17 pm
Mon May 26, 2014

Multiplexes Heat Up For Summer Blockbuster Season

Originally published on Mon May 26, 2014 4:43 pm

Transcript

MELISSA BLOCK, HOST:

This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block. The long Memorial Day weekend usually marks the start of Hollywood blockbuster season. But it's been well underway with "Godzilla" and "X-Men" already in theaters. That said, there are another 87 would-be hits scheduled before Labor Day. We asked critic Bob Mondello for a selective preview.

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Movie Reviews
3:43 pm
Fri May 23, 2014

Seeing The New 'X-Men'? Take Along A Teenager To Explain

Professor Xavier and Magneto scheme to send Wolverine back to the Nixon-era past to avert a devastating war in X-Men: Days of Future Past.
Alan Markfield/Twentieth Century Fox

Originally published on Fri May 23, 2014 5:36 pm

The final "X" in the 20th Century Fox logo glows for an extra second as X-Men: Days of Future Past gets started, but what follows is darker than dark β€” a bleak, dire future in which all of Manhattan is a mutant prison camp.

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