Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his husband have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

Seen from street level, the young Eastern European men cruising a Paris train station at the outset of Eastern Boys would doubtless look like individuals. But filmmaker Robin Campillo has positioned the camera overhead, and from his bird's eye perch it's clear they're working in tandem — looking out for each other, stealing, soliciting.

Plenty of movies sound as if they'll warm you up — Heat, The Towering Inferno, Hot Fuzz, Blazing Saddles, The Long Hot Summer, Paris When It Sizzles, Cat on a Hot Tin Roof, In the Heat of the Night — the list goes on and on.

But just as you can't judge a book by its cover, it's tough to take a film's temperature from its title. Yes, In the Heat of the Night does swelter, both from being set in Mississippi and from having Sidney Poitier and Rod Steiger spend most of its length hot under the collar. But most of the rest of those films won't warm you up much.

Argentina has been in the news lately for the bizarre circumstances surrounding the death of a special prosecutor. So perhaps it makes sense that the country's Oscar nominee for best foreign language film is called Relatos salvajes, Spanish for Wild Tales. The film is an anthology — a collection of six separate and unrelated stories — every one of which lives up to that title.

Movie musicals used to be box-office poison, but lately they've found ways to sing to a wider crowd. The onscreen Les Miz did away with lip-synching, Annie went multi-cultural, Into the Woods belted out revisionist fairy-tales — and combined, those three movies have taken in almost three-quarters of a billion dollars.

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The week between Christmas and New Year's is always a boom time for Hollywood — generally the biggest box office week of the year. It is also a time of Oscar hopefuls, a group that included two foreign-language films in 2014: Two Days, One Night from Belgium, and Russia's Leviathan, both of which tackle social issues through the lens of family.

Hollywood would just as soon forget 2014 when it comes to box-office numbers. Despite the success of Guardians of the Galaxy, and the arrival of the final Hobbit sequel, movie grosses are off about half a billion dollars from last year.

What about quality? This year's films were quirkier than usual — but still, my cup runneth over.

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If you picture landscape painting as a delicate, ethereal, pristine process involving an easel on a hillside and a sunset, Mr. Turner will be an eye-opener.