Gene Demby

Gene Demby is the lead blogger for NPR's Code Switch team.

Before coming to NPR, he served as the managing editor for Huffington Post's BlackVoices following its launch. He later covered politics.

Prior to that role he spent six years in various positions at The New York Times. While working for the Times in 2007, he started a blog about race, culture, politics and media called PostBourgie, which won the 2009 Black Weblog Award for Best News/Politics Site.

Demby is an avid runner, mainly because he wants to stay alive long enough to finally see the Sixers and Eagles win championships in their respective sports. You can follow him on Twitter at @GeeDee215.

The death of Muhammad Ali — one of the world's greatest boxers — has come with a wave of tributes and memorials. We've been taken back to his most triumphant fights and were reminded of just how handsome he was. (I mean, did we ever really forget?)

At long last — the first episode of the Code Switch podcast! We decided to start off with a question we've been fixated on over the past few months: Why is it so hard to talk about whiteness?

Ahead of our forthcoming podcast, I've been heads-down in some reading and interviews about the way we talk about, well, white people. Whiteness has always been a central dynamic of American cultural and political life, though we don't tend to talk about it as such.

The "monoculture" has supposedly been dead for at least a decade, but it ain't necessarily so. World-devouring pop music phenomena do still exist, but today that universe is made entirely of Beyoncé — a Michael Jackson/Madonna/Prince figure whom everyone who cares about popular culture is supposed to grapple with and have big thoughts about.

On Friday night, I finally got to see Hamilton, the critically acclaimed musical I've been surprisingly obsessed with since Frannie Kelley's glowing write-up of the cast album last fall.

It's been only a year and a half since the social protest movement around police violence commonly referred to as Black Lives Matter emerged as a major political force.

Much of this movement's momentum-building and organizing happened on Twitter, and a fascinating new study by media scholars Charlton McIlwain, Deen Freelon and Meredith Clark mapped out how it happened and who drove.

You may have read something like this over the past few weeks, in the run-up to this year's hotly contested Academy Awards ceremony:

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