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Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

Movie fans know that Hollywood opens its most prestigious films every December, right before the Oscar nomination deadline. The same is true of Broadway — except it happens in the spring, before the Tony nominations come out. This year's is an exceptionally crowded season, with 18 shows — half of them musicals — opening in March and April.

Last season was all about Hamilton. Everyone knew it was going to win the Tony for best musical, but Barry Weissler, who produced Waitress, didn't care.

A recent lawsuit brought by a blind theatergoer against the producers of the hit musical Hamilton has highlighted Broadway's spotty track record in serving audiences with disabilities.

For lovers of traditional circus shows, the announcement that the Ringling Bros. and Barnum & Bailey Circus was closing may have come as a shock. But the nonprofit Circus Now wants you to know that the circus is more than ringmasters, elephants and lion tamers.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

SCOTT SIMON, HOST:

For decades, there have been exactly 40 Broadway theaters all between 41st and 65th Streets in Manhattan. Tonight, a new theater opens that also happens to be the oldest. Are you confused? No one better than Jeff Lunden to clear it up.

The movie Fences is in theaters across the U.S. right now and is a leading contender in the Academy Awards. It's based on a play by August Wilson — a play that got its start at the Yale Repertory Theatre in New Haven, Conn. This season, Yale Rep, as its known, marks its 50th anniversary as an incubator for not only Wilson, but also Athol Fugard, Christopher Durang, Sarah Ruhl and many of the leading playwrights working today.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

SCOTT SIMON, HOST:

A theater company in Brooklyn, N.Y., recently decided to do a social experiment: Put seven cops and seven civilians in a rehearsal room once a week to really get to know one another. Then, after 10 weeks, ask them to put on a show.

In the world of ballet, The Nutcracker is sort of a gateway drug. Choreographer Christopher Wheeldon danced his first Nutcracker when he was 11, with London's Royal Ballet. After he moved to the U.S., he danced the Balanchine production with the New York City Ballet.

Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

Decades before he became a best-selling children's book author, Dr. Seuss, a.k.a. Theodor Geisel, created a series of sculptures he called his "Unorthodox Taxidermy." Using real horns, beaks and antlers, he fashioned whimsical creatures which look like they jumped right out of his books.

A traveling show of replicas, called "If I Ran the Zoo", has landed at a gallery in Long Island. Today we bring you that story (how else?) in verse:

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