KWIT

Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

Linda Holmes is filing dispatches from the Toronto International Film Festival. These movies will see wider release in the coming months.

The Promise

The war movie — the war atrocity movie, in particular — is a complicated thing to react to. Invoking real historical agony bestows an inherent respectability of intent; simply to tell a story that needs telling represents a higher purpose than that with which many films grapple. But still, a good film has to be a good film; it cannot only be telling a story with stakes based in tragedy.

Linda Holmes is filing dispatches from the Toronto International Film Festival. These movies will see wider release in the coming months.

Lion

Linda Holmes is filing dispatches from the Toronto International Film Festival. These movies will see wider release in the coming months.

Mascots

Linda Holmes is filing dispatches from the Toronto International Film Festival. These movies will see wider release in the coming months.

Nocturnal Animals

Tom Ford (the fashion designer) surprised a fair number of folks with his very good first feature as a director, A Single Man, in 2009. It was gorgeous to look at, as one might expect, but it was also deeply felt, thanks in part to a strong central performance from Colin Firth.

Linda Holmes is filing dispatches from the Toronto International Film Festival. These movies will see wider release in the coming months.

Loving

It would be easy to think abstractly about the state of TV comedy in 2016 and visualize a clear divide between Cool and Uncool, between safe, saccharine broadcast comedies and knife-sharp cable projects that take no prisoners and feel no feelings. But as with so many things, in the move from generality to specificity, divides get more complex. And fortunately, both the more traditionally conceived comedies and the more daring ones have their strengths, and scratch their itches when they're good.

There are television shows — warm and tidy comedies, generic action shows, underbaked procedurals — that feel as if they are made by no one at all. They seem to have simply arisen naturally as a result of the environment in which they exist, like mushrooms growing on a wet log. You look up and they are simply there, being bad, being nothing, and then you look up again and they are gone and no one misses them.

If you doubt that Ryan Lochte is going on Dancing With The Stars to try to change the subject away from what he himself has called his "immature, intoxicated behavior" during the Rio Olympics, where he admits he lied about at least some of his story about being robbed at gunpoint, just ask him. It's not a secret.

This week, we took ourselves to the Disney live-action film Pete's Dragon, currently riding high with (most) critics and answering the question, "Can you really put a line in a movie about capturing a dragon where a guy says, 'Follow that dragon!'?" We talk about how well the film's very sweet and optimistic tone worked on the various members of the panel, including NPR Music's Daoud Tyler-Ameen in the fourth chair. Can Glen make peace with this much earnest sweetness? Oh, he'll tell you.

Who knew the most traditional-feeling romantic comedy this fall might show up on YouTube?

It's not that YouTube hasn't been making strides in original content; they've been pushing forward in that area for some time. But now that they've established YouTube Red, their premium streaming service, they seem to be getting a little bit more serious and direct about competing for a broader range of viewers with straight-up television, both on broadcast and cable and on services like Netflix and Amazon.

Pages