Megan Buerger

Ever get the nagging feeling that catastrophic danger is looming and the world could end at any minute? Sure you do, it's 2017! Unsettling as it may be, some would say the only way to get through it is by sticking together. In ODESZA's new, post-apocalyptic, sci-fi music video, that's exactly the takeaway.

Few artists have conquered underground dance music as swiftly as Maceo Plex. Over the past decade, the Miami-born producer (real name: Eric Estornel) known for powerful, sultry deep house and techno has deftly walked the tightrope between the underground and the mainstream: prominent enough to headline a stage at Coachella yet niche enough for Europe's highbrow club circuit. It's the kind of impossible sovereignty most DJs dream of, but Estornel knows it won't last, especially in today's volatile climate. So he's shifting gears.

If electronic music is best described as a journey, many of the tracks topping today's charts are joyrides down the Vegas strip — blissed-out pop vocals, bass stunts and flashy, dramatic synths designed to spur sensory overload. That's all well and good, but it's a small snapshot of a vast genre.

Craving real connection? Forget your darkest secret or most embarrassing moment, and tell someone what you dreamed about last night. That's getting personal. Take it from Zach Shields and Maize LaRue, who make up Night Things, a budding Los Angeles synth-pop band that sounds like a sunny reboot of Duran Duran.

Thanks to La La Land, Hollywood is getting shine for its magical skyline and hamster-wheel hustle. But if the film's characters had been more into house music than old-school jazz, Phantoms could've provided the perfect soundtrack. The production duo — Kyle Kaplan and Vinnie Pergola, two former teen actors who traded the red carpet for the recording studio — makes escapist, vocal-heavy dance music inspired by the city's surreal nightlife, an amusement park of gritty warehouses and glitzy nightclubs in which everyone's trying to make it.

"Heathen," the new single from London band Colouring, is about believing. Specifically, it's about believing in love — or, more accurately, romanticism, following your heart even when the odds are stacked against you. But it's also about believing in each other, even when it feels like we've lost ourselves. Frontman Jack Kenworthy wrote it last fall in a state of Brexit-Trump shock, and says he felt paralyzed, powerless and frustrated by a lack of control.

Dating can feel like a soulless sport, but Lemaitre, a Norwegian indie-electronic duo known for bouncy rhythms and catchy hooks, sees beauty in our collective agony. Take "Playing To Lose," a brooding R&B jam from its 2016 EP, Afterglow. The song is about someone looking for love in all the wrong places, but Lemaitre makes the dreary topic surprisingly optimistic. Weaving together heavy drums, hopeful hooks and guest vocalist Stanaj's fluttering falsetto, they capture the highs and lows of intimacy, culminating in a rousing chorus that swells around and around again.

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