KWIT

NPR Staff

San Francisco 49ers quarterback Colin Kaepernick dropped to one knee rather than stand during the national anthem at a preseason football game Thursday night. It's an extension of the protest Kaepernick began last week when he sat as the anthem played before an earlier game, declaring, "I am not going to show pride in a flag for a country that oppresses black people and people of color."

A restaurant chain that charges twice as much for a meal in one location as it does in another? You would think that's a recipe for angry customers.

But Everytable in Los Angeles is betting that this will prove a successful business model, while also serving up a hefty side of social mission.

Pablo Escobar was one of the most notorious drug kingpins the world has ever known. His cartel — based in Medellin, Colombia — ruled in the 1980s and at one point supplied 80 percent of the cocaine coming into the U.S.

The drama and danger of those days is captured in the Netflix series Narcos. Brazilian actor Wagner Moura plays Escobar in the series, and at the time it was a surprising casting choice. For one thing, Escobar is on the chubby side, and as Moura tells NPR's David Greene, "I was very skinny." Also: He didn't speak Spanish.

The National Museum of American History in Washington, D.C., is home to so much Americana, including Civil War uniforms, Dorothy's red shoes from The Wizard Of Oz, and video game prototypes. It also has an extensive collection of presidential campaign memorabilia.

"We collect a fair amount of Republican, Democrat, red, white and blue stuff, but there are great objects that engage issues for 2016, that can communicate those issues and debates 100 years from now," says Jon Grinspan, one of the museum's curators for political history.

The V&E Simonetti Historic Tuba Collection in Durham, N.C., is the result of an obsession that grew one oom pah-pah at a time.

Vincent Simonetti started playing tuba in high school in the 1950s – and it was love at first puff.

"And I would draw it in study hall. I'd draw pictures of it. I don't know why. I just became obsessed with it," he says.

A new romantic comedy hit more than 800 theaters on Friday, the kind of film that Hollywood scarcely makes nowadays. It's about two interesting people at the start of their adult lives circling each other trying to figure things out. Oh, and chances are you might know the people at the center of the story — Barack and Michelle Obama.

One of America's most distinguished men of letters says he believes that speech, not evolution, has made human beings into the creative, imaginative, deliberate, destructive, and complicated beings who invented the slingshot and the moon shot, and wrote the words of the Bible, Don Quixote, Good Night Moon, the backs of cereal boxes, and Fifty and Shades of Grey.

William James Stokes is the son of a church man, and on his first album he comes right out with it. The Preacher's Kid is the singer and rapper's debut as Sir the Baptist, a name he felt suited his origins in the Bronzeville district of South Side Chicago. "I grew up in a Chicago area where they called it 'Chi-raq' — and I felt like if I was gonna be the voice crying out in the wilderness, I would want to be John the Baptist," he says.

In the 1920s and '30s, Langston Hughes was at the heart of the Harlem Renaissance. After the movement ended, he didn't go far: The writer moved into a brownstone on Harlem's 127th Street, where he lived for the last 20 years of his life.

The building is a national landmark, but it's been mostly empty for decades. In that time, Harlem has begun to gentrify. Now, in an effort to keep Hughes' former home from becoming one more high-end co-op, a neighborhood nonprofit is raising money to lease the building as an arts center.

If you've seen Sleeping Beauty, The Jungle Book or the Toy Story movies, you've seen the work of animator Floyd Norman; for decades, he has helped bring Disney and Pixar classics to life.

Now 81, Norman still works for Disney, where he has plied his trade, on and off, since he became the studio's first African-American animator in the 1950s.

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