From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.
ROBERT SIEGEL, HOST:
And I'm Robert Siegel. The French newspaper Le Monde is calling it the interminable siege. Since early this morning, French police have been in a standoff with a man suspected of murdering seven people in the southern city of Toulouse, seven people in three different shootings. They were all killed in broad daylight and at point blank range. NPR's Eleanor Beardsley is following the ongoing drama from Paris.
The U.S. Supreme Court heard arguments Tuesday in two murder cases testing whether it is unconstitutionally cruel and unusual punishment to sentence a 14-year-old to life in prison without the possibility of parole. There are currently 79 people serving such life terms for crimes committed when they were 14 or younger.
Seventy years ago, in the middle of World War II, a couple of hundred miles north of Toulouse, Claude Lanzmann was a high school student — and an assimilated French Jew. Every day he faced the risk of arrest.
When Lanzmann was a teenager, both he and his father independently joined the Communist Resistance. He writes about that in his newly translated memoir, The Patagonian Hare.
Tayari Jones has written for McSweeney's, The New York Times and The Believer. Her most recent book is Silver Sparrow.
Like many Americans, I have been glued to the television eager for details about the tragic murder of 17-year-old Trayvon Martin. I am not sure what I hoped to discover, as each new piece of evidence is more disturbing than the last.
Few 20th century thinkers predicted the 21st century era of social media and the Internet better than Marshall McLuhan. Beginning in the 1960s, the Toronto-based philosopher and scholar began to theorize about how television and radio were changing society, creating what he termed the "global village."
What makes people creative? What gives some of us the ability to create work that captivates the eyes, minds and hearts of others? Jonah Lehrer, a writer specializing in neuroscience, addresses that question in his new book, Imagine: How Creativity Works.
Lehrer defines creativity broadly, considering everything from the invention of masking tape to breakthroughs in mathematics; from memorable ad campaigns to Shakespearean tragedies. He finds that the conditions that favor creativity — our brains, our times, our buildings, our cities — are equally broad.
From its start in the late '90s, Zieti faced tough odds. Arranging gigs in Abidjan, Ivory Coast was a high-risk, do-it-yourself affair for the band. And that was before the country underwent a military coup, a rigged election and a brush with civil war. Zemelewa was recorded by 15 musicians in four studios on two continents. For all that, you can sense the band's solidarity, as if merely making this record was an act of resistance.
When Philip Seymour Hoffman took the stage on March 15 in the new revival of Arthur Miller's Death of a Salesman, he became the fifth actor in 63 years to walk the boards of Broadway in the shoes of the blustery, beleaguered salesman, Willy Loman. In the last six decades, each incarnation of the play has resonated with a new generation of theatergoers.
Call it an accident of the calendar: two pairs of filmmaking brothers both opening movies on the same weekend, both films about the awkwardness of growing up. Jeff, Who Lives at Home is a post-mumblecore slacker comedy from the Duplass brothers, Mark and Jay. The Kid with a Bike is a Belgian slice-of-life drama from the Dardenne brothers, Jean-Pierre and Luc.