It's probably the most oft-cited literary fantasy of all time: I'm talking about that passage in Catcher in the Rye where Holden Caulfield says: "What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though."
In the town of Bassett in southern Virginia, some of the downtown street lights are dark. The lamps, maintained by the once prosperous Bassett Furniture Co., are now funded by voluntary contributions from residents and businesses β when they can afford it.
Bassett is just one of many towns and cities in Virginia and North Carolina where scores of furniture-making plants have closed in the past 20 years, mostly because of competition from China and other foreign countries.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Filmed Over 12 Years, 'Boyhood' Follows A Kid's Coming Of Age: Writer-director Richard Linklater says picking the film's star was vital because he had to guess what he'd be like at 18. "I just went with a kid who seemed kind of the most interesting."
This is FRESH AIR. Our film critic David Edelstein has a review of the new film "Boyhood." It was written and directed by Richard Linklater, who also made the movies, "Slacker," "Dazed And Confused," "School Of Rock," "The Before Sunrise" Trilogy and "Bernie." "Boyhood" covers a dozen years and was shot over a 12 year period. It stars Patricia Arquette, Ethan Hawke and newcomer Ellar Coltrane as the boy we watch grow up.
Usually when characters age in movies, they're covered with makeup and outfitted with prosthetics β or directors use different actors as the characters grow older. But in the new film Boyhood, none of that is necessary.
The film takes place over the course of 12 years, and it was shot over the course of 12 years. So we watch the actors getting older for real, which gives their characters a sense of authenticity.
Over the last 30 years, jazz pianist Fred Hersch has recorded in solo, duo, quartet, quintet and double-trio settings, with big band and with orchestras. Fresh Air jazz critic Kevin Whitehead says the classic piano, bass and drums trio format suits Hersch best of all in a review of Floating.
If you asked mystery fans to name the most important novel of the past decade, most would say The Girl With the Dragon Tattoo β and they'd be right. In fact, Stieg Larsson's complete Millennium series, flanked by hordes of Nordic noirs by the likes of Henning Mankell, Camilla Lackberg and Jo Nesbo, have overrun the ranks of hard-boiled detective fiction, imbuing it with their distinctive strain of brittle dialogue and chill fatalism.
They say every generation gets the science fiction it deserves, built around its biggest and most primal fears. Well, maybe they don't say that β but they should. In the '50s, all those movies about mutant giant monsters going berserk were a way for us to channel our fears about the atomic bomb. In the same way, in that same decade, all those body-snatcher movies were about being unable to tell friend from foe, or trust even your closest loved ones β the perfect paranoid parable for the Communist witch-hunting era.