When Russian President Vladimir Putin started vilifying the U.S., and state-controlled media took his cue, Michael McFaul was portrayed as one of the American villains. McFaul was the American ambassador to Russia from January 2012 to February of this year. He planned to leave just after the Sochi Olympics, which ended up coinciding with the Ukrainian Parliament voting to remove President Viktor Yanukovych from office, leading to Russia's annexation of Crimea.
When Edward Snowden was ready to leak the classified documents he'd stolen from the National Security Agency, the first journalist he contacted was Glenn Greenwald. Snowden knew of Greenwald through his coverage of the National Security Agency's warrantless wiretapping scandal, and he said he believed Greenwald could be counted on to understand the dangers of mass surveillance and not back down in the face of government pressure.
Dr. Barron Lerner is a doctor and the son of a doctor. He grew up thinking his father was a wonderful, gifted and caring physician, which he was. But after Lerner started studying bioethics, he began questioning some of his father's practices — practices which were typical of many doctors in the '60s.
When stories began to emerge about the U.S. government's massive surveillance of Americans' phone and Internet communications, it was no surprise to a group of analysts who had left the National Security Agency soon after the Sept. 11 attacks. Those analysts, who'd worked on systems to detect terrorist threats, left in part because they saw the NSA embarking on a surveillance program they regarded as unconstitutional and unnecessary.
Fresh Air Weekendhighlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Sam Baker: Finding Grace In The Wake Of Destruction: In 1986, a bomb planted by the Peruvian terrorist group Shining Path exploded in the luggage rack above Sam Baker. Somehow, during his long recovery, songs focused on empathy started coming to him.
When Marc Maron started his podcast "WTF with Marc Maron" out of his garage in September 2009, he was in a dark place: He was going through a divorce, his comedy career had hit a wall and — in his mid-40s — he didn't have a Plan B.
This is FRESH AIR. I'm TV critic David Bianculli. This weekend two very different TV productions attempt to do much the same thing - revisit old works of literature in the horror and suspense genre and adapt them with new approaches for a new generation. NBC's four hour miniseries version of Ira Levin's "Rosemary's Baby" barely justifies the attempt.
Philip Seymour Hoffman, in one of his final film roles, stars as Mickey in "God's Pocket," the new movie directed by John Slattery. Slattery is famous for his role as Roger Sterling on TV's "Mad Men" and over the years has directed several episodes of that AMC series. He makes the transition to feature film directing with "God's Pocket" which he and Alex Metcalf adapted from the 1983 novel by Pete Dexter.
If the road movie has a home, it's surely the United States. After all, the settling of America was itself a kind of humongous road picture — all those wagons rolling across the new continent's spectacular vastness. And with our ceaseless love of movement, we became the first people to be transported — in every sense — by the automobile. Small wonder, then, that so many famous Hollywood films, from It Happened One Night to Thelma & Louise, are all about hitting the road.