Fresh Air Weekendhighlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Sam Baker: Finding Grace In The Wake Of Destruction: In 1986, a bomb planted by the Peruvian terrorist group Shining Path exploded in the luggage rack above Sam Baker. Somehow, during his long recovery, songs focused on empathy started coming to him.
This is FRESH AIR. I'm TV critic David Bianculli. This weekend two very different TV productions attempt to do much the same thing - revisit old works of literature in the horror and suspense genre and adapt them with new approaches for a new generation. NBC's four hour miniseries version of Ira Levin's "Rosemary's Baby" barely justifies the attempt.
Philip Seymour Hoffman, in one of his final film roles, stars as Mickey in "God's Pocket," the new movie directed by John Slattery. Slattery is famous for his role as Roger Sterling on TV's "Mad Men" and over the years has directed several episodes of that AMC series. He makes the transition to feature film directing with "God's Pocket" which he and Alex Metcalf adapted from the 1983 novel by Pete Dexter.
When Marc Maron started his podcast "WTF with Marc Maron" out of his garage in September 2009, he was in a dark place: He was going through a divorce, his comedy career had hit a wall and — in his mid-40s — he didn't have a Plan B.
If the road movie has a home, it's surely the United States. After all, the settling of America was itself a kind of humongous road picture — all those wagons rolling across the new continent's spectacular vastness. And with our ceaseless love of movement, we became the first people to be transported — in every sense — by the automobile. Small wonder, then, that so many famous Hollywood films, from It Happened One Night to Thelma & Louise, are all about hitting the road.
It's never easy to talk with aging parents about the end of life, but it was maybe particularly difficult for Roz Chast and her parents, which is why her new graphic memoir is called Can't We Talk About Something More Pleasant?
It's very easy, and not at all inaccurate, to divide dramatic series television into two eras: before Hill Street Blues — which has just been released on DVD in its entirety for the first time --and after. Before NBC televised Hill Street in 1981, most continuing drama series were presented as stand-alone, interchangeable hours starring the same characters. Every week, TV detectives Joe Mannix or Theo Kojak or Tony Baretta would investigate a crime, catch the villains and wait for next week to do it again.
When the World Series of Poker began in 1970, it was a pretty modest affair — seven veterans of the game competing for just the honor, no prize money. Today, more than 6,000 players pay the $10,000 entrance fee for the No-Limit Texas Hold 'em Tournament. ESPN televises the final table, and last year the winner took home more than $8 million in prize money.
Todd Barry is one of comic Louis C.K.'s favorite comedians. So when Barry had the idea to film a tour in which all he did was crowd work — or, engage the audience in improvised conversations — Louis C.K. decided to produce the film, called The Crowd Work Tour, and feature it on his website.
Barry also plays a version of himself on Louis C.K.'s show Louie, which begins a new season on Monday. He's recorded several comedy albums, appeared in the film The Wrestler and done a lot of voice-over work for animated TV series.