In her new book, Forcing the Spring, investigative reporter Jo Becker tells the behind-the-scenes story of an important chapter in the fight for marriage equality. She embedded with the team that challenged Proposition 8 — the 2008 anti-gay-marriage California ballot initiative that called for amending the state constitution to say that the state would only recognize marriage between a man and a woman.
At first, Hari Kondabolu's comedy was mostly about catharsis: "I was doing some work in detention centers and meeting families who had family members who were going to be deported," he tells Fresh Air's Terry Gross. "It was really powerful work ... but it was incredibly hard and performing at night was a relief. It was cathartic. It was just a way to get things out."
Fresh Air Weekendhighlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Modern Medicine May Not Be Doing Your Microbiome Any Favors: In Missing Microbes, Dr. Martin Blaser argues that the overuse of antibiotics, as well as now-common practices like C-sections, may be messing with gut microbes.
One of Amy Schumer's comedy routines begins with the declaration, "I'm a little sluttier than the average bear. I really am."
Degrees of sluttiness may be hard to define, but Schumer does talk frankly about many subjects — including sex — that can be uncomfortable for people, both in her stand-up act and on her Comedy Central series, Inside Amy Schumer, which is now in its second season.
Every so often a high-toned arthouse director dips a toe into the horror genre and the results are uplifting: You realize vampires and space aliens are subjects too rich to be the sole property of schlockmeisters. That's the case with two new arty genre pictures: Jonathan Glazer's Under the Skin and Jim Jarmusch's Only Lovers Left Alive — both slow, expressionist, non-narrative, the kind of films that drive some people crazy with boredom and put others in their thrall.
The Both is the name for the duo formed by veteran singer-songwriters Aimee Mann and Ted Leo. "The Both" is also the name of their debut album. The two began performing together in 2012, when Ted Leo was Mann's opening act. Mann began joining Leo onstage during his set. They liked the sound their voices together and started collaborating. Rock critic Ken Tucker has this review of "The Both."
A Bintel Brief and The Harlem Hellfighters are two New York Stories. That's why I'm combining them in this review; not because — as some purists still think — they're lesser works of literature because they're graphic novels. If Egyptian hieroglyphics, the Bayeux Tapestry, and Art Spiegelman's 1991 classic, Maus, haven't yet convinced the high-art holdouts of the value of stories told in visual sequence, nothing I say now about these two books is likely to.