On recent programs we’ve heard several cuts - on this show it’s “Hangover” - from guitarist John Scofield’s new quartet CD, Past Present. Scofield has gathered together the early 90s lineup he led with saxophonist Joe Lovano and drummer Bill Stewart, and added bassist Larry Grenadier. Scofield recently lost a son to cancer and the experience focused his sense of how vividly the past survives in the present. Thus the title of the new work. The recording displays his predilection for the blues, country music and soul-jazz he loved in his own youth.
This episode of SNJ debuts Many a New Day (Karrin Allyson Sings Rodgers and Hammerstein), the singer’s new release. Fronting an all-star duo—two dynamos of jazz, Kenny Baron on piano and John Patitucci on bass—Allyson proves herself once again as a creative force to be reckoned with. Together they take song after song, 14 in all, and infuse them with renewed energy. If you’ve heard them before, and it’s likely you have, you have never heard them like this.
We hear “Growlin’ Dan,” a selection from For One To Love, Cécile McLorin Salvant’s just released 2nd CD. It’s an authentically bold statement, filled with contrasts: of love and longing, of desire and delight.
Our show starts with “Cold Duck Time” from the new CD Prime Time, the third release from the Alan Baylock Jazz Orchestra. Featuring the legendary Doc Severinsen, this album swings from the first note to the last. A handful of creative rearrangements and four new originals by Alan Baylock make up the recording. Besides Doc, featured soloists include trumpeters Brian MacDonald, Tim Leahey and Alex Norris, saxophonists Tyler Kuebler and Luis Hernandez, trombonists Ben Patterson and Matt Niess, and drummerTodd Harrison.
Heard on this program: “Village Dawn” from the recently-issued CD Trumpet Summit Prague. This epic recordingfeatures the powerful, confident playing of a trio of trumpeters: American players Randy Brecker and Bobby Shew, and Jan Hasenöhrl, founder of the Czech National Symphony Orchestra. They join forces with the CSNO and St. Blaise’s Big Band, all under the peerless direction of Vince Mendoza, in a 2012 concert at Smetana Hall.
Pianist Ramsey Lewis has returned to the electric side on his funkiest recording in years. Taking Another Look is in part a revisiting of Lewis' highly-regarded 1974 classic Sun Goddess. On that album Lewis demonstrated his chops on a level approaching Herbie Hancock's. Lewis' performances on ARP synthesizers and Fender Rhodes and Wurlitzer electric pianos, as well as acoustic piano and electric guitar, earned the already-successful keyboardist and composer scores of new fans the way Hancock's first Headhunters albums had cast a net out to funk lovers a year earlier.
Over the past few months we’ve heard a lot from 70 Strong, the recent issue from the Steve Gadd Band, an electric quintet led by the now-legendary drummer and completed by Walt Fowler (trumpet, flugelhorn), Larry Goldings (keys, accordion), Jimmy Johnson (bass) and Michael Landau (guitars). This show features the cut “Desu.”
On this show you can hear “Barangrill” from pianist Robert Glasper and his acoustic trio (bassist Vicente Archer and drummer Damion Reid) on his new album Covered. Glasper applies his elegant jazz skills to “an inviting tracklist that was mostly written to be sung,” wrote The Guardian in a glowing 4-star review.
This edition of SNJ features the song Such Is Life (sung by Alexis Cole) from Harold Mabern’s new CD, Afro Blue (John Webber, bass, Joe Farnsworth, drums, Eric Alexander, tenor sax, Jeremy Pelt, trumpet).
The program features the song “Favor” from Terell Stafford’s new CD, BrotherLee Love: Celebrating Lee Morgan. (Terell Stafford – trumpet; Tim Warfield – saxophone; Bruce Barth – piano; Peter Washington – bass; Dana Hall – drums)
Terell Stafford is the perfect player to do a long overdue tribute to one of Philadelphia’s greatest jazz legends, Lee Morgan. Though not raised in the City of Brotherly Love, Stafford cut his jazz teeth in Philly working behind Shirley Scott and Mickey Roker. For over 20 years he’s been the Director of Jazz Studies at Temple University.