Elizabeth Blair

Elizabeth Blair is a Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

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And I'm David Greene in New York City, where last night Madonna came onto a stage in Brooklyn. She was at a concert for Amnesty International introducing two heroes of the protest movement in Russia.

MADONNA: It is my privilege and my honor, ladies and gentlemen, to introduce Masha and Nadya from Pussy Riot. Ladies, please come to the stage.

(SOUNDBITE OF CHEERING)

Actor Philip Seymour Hoffman was found dead on Sunday in his Manhattan apartment. He was 46.

Hoffman was steeped in his profession — in film, on stage, in the spotlight and behind the scenes.

In 2005, he won the Oscar for best actor for his portrayal of Truman Capote. The movie focuses on Capote's interviews with two murderers on death row for his nonfiction novel In Cold Blood.

Super Bowl suspense is building — for the game and the commercials. With an audience of over 100 million people, advertisers covet this space, but at a reported $4 million a spot, only the mightiest corporations can afford Super Bowl exposure. This year, though, there's an exception. One lucky little business will get one of those primo slots — free.

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A federal bankruptcy judge in Detroit has mediated a deal that could potentially solve two of the city's biggest problems. The plan would raise money for retirees' pension funds and keep masterpieces from the Detroit Institute of Art from being auctioned off. NPR's Elizabeth Blair reports.

Can wealthy art lovers help save Detroit's pension funds — and one of its museums?

As we near the end of 2013, NPR is taking a look at the numbers that tell the story of this year. Numbers that, if you really understand them, give insight into the world we're living in, right now. Over the next two weeks, you'll hear the stories behind these numbers, which range from zero to 1 trillion.

You can understand a lot about how Hollywood works if you understand the number 17. That's the number of big, super-expensive movies that came out in the May to July summer movie season. And only about 10 of them were solidly profitable.

Watching a living creature slip, stumble, get squashed or just thwack an enemy can be a blast. Because as Charlie Chaplin said: "In the end, everything is a gag."

Fans of the animated comedy Family Guy got a shock Monday. Some wailed about it on Twitter and Facebook. Spoiler alert: The episode was about the death of Brian, the family dog. One fan started a petition to insist that Fox bring back Brian. It reached 30,000 signatures in less than 24 hours. But the internet has made petitions so easy, they may have lost their power.

When the Whitney Museum of American Art announced the artists for its 2014 biennial, people took to the Internet to chime in about who's been included and who's been left out; the last biennial had been blasted for ignoring Latino artists. But when a new show opened at the Smithsonian American Art Museum featuring only Latino artists — "Our America: The Latino Presence in American Art" — it was blasted for other reasons.

Feisty. Stubborn. A real cowboy. According to people who knew him, the real Ron Woodroof was very much like the character played by Matthew McConaughey in the new movie Dallas Buyers Club.

Bill Minutaglio — who wrote about Woodroof for The Dallas Morning News — describes him as "salty."

"I kinda liked him. He cursed like four sailors," says Minutaglio.

Chicago attorney Michael Cascino represented Woodroof in a case against the Food and Drug Administration.

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