KWIT

Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

In August 2013, Deggans guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. Earlier in the same month, he was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." Deggans serves on the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

Deggans has won reporting and writing awards from the Society for Features Journalism, American Association of Sunday and Feature Editors, the Society of Professional Journalists, the National Association of Black Journalists, The Florida Press Club and the Florida Society of News Editors. In 2010, he made national headlines interviewing former USDA official Shirley Sherrod at the NABJ's summer convention in San Diego, leading a panel discussion that was covered by all the major cable news and network TV morning shows.

Named in 2009, as one of Ebony magazine's "Power 150" – a list of influential black Americans which also included Oprah Winfrey and PBS host Gwen Ifill – Deggans was selected to lecture at Columbia University's prestigious Graduate School of Journalism in 2008 and 2005. He has lectured or taught as an adjunct professor at Loyola University, California State University, Indiana University, University of Tampa, Eckerd College and many other colleges.

His writing has also appeared in the New York Times online, Salon magazine, CNN.com, the Washington Post, Village Voice, VIBE magazine, Chicago Tribune, Detroit Free Press, Chicago Sun-Times, Seattle Times, Emmy magazine, Newsmax magazine, Rolling Stone Online and a host of other newspapers across the country.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

Don't be distracted by the title of Netflix's latest, button-pushing TV series, Dear White People.

Because, one look at this insightful, irreverent examination of race and society at an Ivy League college reveals it really doesn't focus much on white folks at all.

Indeed, the title Dear White People is a bit of a head fake. This slyly assembled series is really about how a wide range of black and brown students at the fictional, predominantly white Winchester University deal with race, sexual orientation and other identity stuff in the modern age.

Be warned: This story talks about characters who are forced into sexual slavery.

Hulu's excellent adaptation of Margaret Atwood's dystopian novel, The Handmaid's Tale, is a horror show unveiled in slow motion.

As the first episode begins, Mad Men alumna Elisabeth Moss is running, fleeing security forces with her daughter, minutes before they are both captured.

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The third season of the hit TV drama "Fargo" begins tonight. And with it comes a challenge - maintaining high quality with new stories and new characters. Based on the first two episodes, NPR TV critic Eric Deggans says "Fargo" delivers.

Warning: Spoilers ahead.

HBO's Girls ended as it began — as a fitful, contradictory, occasionally irritating, often brilliant little story about a stupendously self-involved Millennial girl who just might be on her way to figuring out what it means to be a woman.

YouTube is launching a streaming TV service Wednesday. It's one of many — Sling, PlayStation Vue and local cable companies among them. But Google-owned YouTube TV offers several features the others don't.

They include a cloud-based DVR with no storage limits, allowing users to record as many shows as they want for later playback. Membership also gives access to original series and movies featured on its other subscription streaming service, YouTube Red. And customers can create up to six accounts on one membership, with up to three streams running at once.

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I'll be honest; at first, I feared the whole series was a bit of a dodge.

Watching the first episode of Shots Fired — Fox's highly anticipated limited series about a federal investigation into a police shooting in a small North Carolina town — one thing became clear rather quickly.

The shooting, which draws two hotshot investigators from the Department of Justice, involves the town's only black police officer, who kills an unarmed, white 19-year-old.

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