KWIT

Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

One of the best things about covering film festivals — like the Tribeca Film Festival, where I'll be for a couple of days — is seeing people's work with very little context around it. By the time films are released in theaters, particularly when they're being heavily marketed, I usually know a lot about them. I know something about what to expect, I know a good bit about the directors and actors, and very often, the film has been on various planning calendars for months.

On this week's show, Stephen Thompson takes the week off to tend to his house full of cats while both All Things Considered host Audie Cornish and superlibrarian and Two Bossy Dames co-writer Margaret H. "Hulahoop" Willison join me and Glen Weldon to talk about romantic comedy.

Chatter about Catastrophe, a series that airs on regular TV in the UK and streams on Amazon in the US, often concentrates on how gleefully frank and filthy it is. Written by its stars, Rob Delaney and Sharon Horgan, the show follows a American man and an Irish (sorry! originally said "British"; I'm a distracted American) woman whose fling leads to a pregnancy, then a marriage and a love affair, in that order.

Chatter about Catastrophe, a series that airs on regular TV in the UK and streams on Amazon in the US, often concentrates on how gleefully frank and filthy it is. Written by its stars, Rob Delaney and Sharon Horgan, the show follows a American man and an Irish (sorry! originally said "British"; I'm a distracted American) woman whose fling leads to a pregnancy, then a marriage and a love affair, in that order.

It's a fun week at Pop Culture Happy Hour, as we welcome back, as this week's fourth chair, original PCHH panelist Trey Graham, who gives an update on how he's been since he departed NPR. We're so excited to see Trey, and we know a lot of you will be, too.

Oh, American Idol. You were too good for this world.

OK, maybe not too good. Maybe too rooted in people voting via telephone calls.

The pilot of The CW's Crazy Ex-Girlfriend was one of my favorite pieces of TV last year. Energetic and intriguingly unnerving, it set up the story of Rebecca Bunch (Rachel Bloom), who leaves her fancy New York lawyer job to move to West Covina, California, on an impulse. The impulse: a deeply felt, consciously irrational (and therefore officially denied) desire to pursue her ex-boyfriend, Josh Chan, who she'd learned was living there.

Every year at about this time, we reclaim our panelist Stephen Thompson from the overwork and burnout perils of South By Southwest and The Austin 100, and he once again becomes the rumpled, good-natured dad we love. But before we let that happen, we always try to capture a little bit of his music brain, and this year, he's joined by additional festival-goers Audie Cornish, who went to her very first SXSW (it was Stephen's 20th!), and NPR Music contributor Katie Presley.

Sometimes, it takes a while to bring a show into being, but we feel like this one was worth the wait. This is the week we get real super nerdy about music, theater, enthusiasm, hashtags, dancing, just ... lots of everything.

Last fall, when our treasured regular panelist Gene Demby started listening to the Hamilton cast album after it showed up over at NPR Music as a First Listen, he started saying things like this.

Commentators both amateur and professional have turned over the events of the 1994-95 O.J. Simpson trial in their hands for a couple of decades now, trying to figure out how it got so distressingly ugly as a display, let alone as a legal proceeding. The FX series The People vs. O.J. Simpson: American Crime Story, based on Jeffrey Toobin's book The Run Of His Life, has come to the surprisingly compassionate conclusion, over and over, that a significant part of the problem was not malice but excess made worse by public attention.

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