KWIT

Linda Holmes

Perhaps nobody cares about their clothes anymore.

Back in 2013, Monkey See brought you an exclusive interview — "exclusive" in the sense that it happened only in our minds and we therefore were the only ones who knew about it — with the iron, just after Monopoly announced it was being retired from the game. During that interview, the iron darkly alluded to a difficult history with another game piece: the thimble.

It is a truth universally acknowledged that parsing the broader implications of The Bachelor/Bachelorette can feel an awful lot like examining the semiotics of mashed potato flakes. But can we not also agree that the fact that a narrative is ridiculous and phony doesn't mean it isn't both reflective of and influential upon the culture out of which it grows?

It's always fun when somebody from the NPR podcast family sits in our fourth chair, and this week, we've got two of them.

The New England Patriots don't always win the Super Bowl. Tom Brady isn't always the face staring at you on Snack Digesting Monday, the traditional follow-up to Super Bowl Sunday. But it can sure feel that way.

Oscar season is upon us, and very often, it's a time when a lot of energy goes into analyzing a few races and a few of the highest-profile films as they square off against each other. We'll be doing that too in a couple of weeks, in our annual Oscars roundup. But first, we wanted to celebrate the season in a different way: by looking at some of the categories that sometimes fly a little under the radar, ours included.

For decades, Archie comics represented the wholesome, sweet-faced American teenager in none of his or her actual complexity. But reflecting some of the recent changes that have come about in the comics, the CW's new drama Riverdale places the gang at the center of a murder mystery. The show is less about having fun down at the chocolate shoppe and more about who shot whom and which clandestine affair is only a moment away from being discovered.

Grey's Anatomy is back Thursday night for the second part of its 13th season. It's hard to last that long, but it does seem that Grey's is — in the words of a friend of mine — "unkillable." And when you press its viewers on their thoughts about it, you often get a clear-eyed, fully aware evaluation of strengths and weaknesses that add up to a habit that's endured for over a decade.

I haven't seen the new film A Dog's Purpose, in which a dog's soul apparently returns over and over in different dog bodies until it's reunited with its original owner.* I can't understand how there's such a thing as an original owner according to the Law Of Conservation Of Dog Souls — how was this dog's soul spontaneously generated for this owner, but everyone else in the succession got a certified pre-owned dog soul? Are dog souls ever retired like basketball jerseys? Like, "Okay, Buckley, you've done well.

Mary Tyler Moore, who died Wednesday, wasn't just beloved. She was the kind of beloved where they build you a statue. Moore's statue is in Minneapolis, where her best-known character, Mary Richards of The Mary Tyler Moore Show, worked for the fictional television station WJM. She'd already won two Emmys playing Laura Petrie on The Dick Van Dyke Show, but Moore cemented her icon status when Mary Richards walked into that job interview. Even if she got off to a rough start with Lou Grant, her soon-to-be boss, who kept a bottle of whiskey in his desk.

Mary Tyler Moore is being remembered for her work on The Mary Tyler Moore Show and The Dick Van Dyke Show, as well as her appearances in theater and film. But perhaps no one feels her influence more keenly than other women who are funny on TV — especially ones who want to make shows about single women.

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