Fresh Air

Mondays through Thursdays, 2 to 3 p.m.
  • Hosted by Terry Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Growing up in West Baltimore, writer Ta-Nehisi Coates was no stranger to violence. "Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns," he tells Fresh Air's Terry Gross.

Coates' new book, Between the World and Me, is an effort to protect his son from the same threats he experienced as a youth. Written in the form of a letter, Coates draws on history as well as personal experience to discuss the different forms of violence young African-Americans face on the street, in school and from the police.

As another Southern writer once said, "You can't go home again." In Harper Lee's Go Set a Watchman, which takes place in the mid-1950s, a 26-year-old Scout Finch takes the train from New York City home to Maycomb, Ala., and finds the familiar world turned mighty strange.

TV and air-conditioning have changed the landscape, and beloved childhood friends like Dill and her brother Jem have vanished. Others, like Calpurnia, look at Scout, here called by her grown-up name of "Jean Louise," as though she were, well, a white lady.

When Tangerine premiered six months ago at the Sundance Film Festival, it quickly became known as "the movie that was shot entirely on a smartphone." It's the sort of talking point that makes Sean Baker's raw and exuberant ensemble comedy seem a lot more gimmicky than it really is, and it doesn't begin to account for how gorgeous the movie looks.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVID BIANCULLI, HOST:

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVID BIANCULLI, HOST:

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

When Amy Winehouse, the British musician who sang memorably about her refusal to go to rehab, died due to problems related to drugs, alcohol and bulimia in July 2011, she was nearly as famous for her personal struggles as she was for her music. Just 27, Winehouse had been tabloid fodder for years.

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